Decoding Multimodal Metaphors: Analyzing Indonesian Documentary Film Posters Through Conceptual Blending and Relevance Theory
Abstract
This study investigates how audiences interpret multimodal metaphors in Indonesian film posters, using Aroma of Heaven, SEMES7A, and The Act of Killing as case studies. By applying conceptual blending and relevance theory, the research examines how visual elements like images, colors, and text communicate complex messages. Audience responses, gathered through questionnaires and interviews, show that most viewers understood the metaphors, though their interpretations were shaped by their level of visual literacy and familiarity with the themes presented. The findings suggest that while posters effectively engage viewers through visual and verbal metaphors, the success of these metaphors depends on the audience’s cognitive background. This study highlights the importance of making metaphors clear and relatable to ensure effective communication, showing how visual design plays a crucial role in sparking audience interest and understanding. The research offers valuable insights into how film posters act as both artistic and marketing tools.
ABSTRAK
Penelitian ini meneliti bagaimana audiens menginterpretasikan metafora multimodal dalam poster film Indonesia, dengan menggunakan Aroma of Heaven, SEMES7A, dan The Act of Killing sebagai studi kasus. Dengan menerapkan teori pencampuran konseptual dan relevansi, penelitian ini meneliti bagaimana elemen visual seperti gambar, warna, dan teks mengkomunikasikan pesan yang kompleks. Tanggapan penonton, yang dikumpulkan melalui kuesioner dan wawancara, menunjukkan bahwa sebagian besar penonton memahami metafora, meskipun interpretasi mereka dibentuk oleh tingkat literasi visual dan keakraban mereka dengan tema yang disajikan. Temuan ini menunjukkan bahwa meskipun poster secara efektif melibatkan pemirsa melalui metafora visual dan verbal, keberhasilan metafora ini bergantung pada latar belakang kognitif pemirsa. Penelitian ini menyoroti pentingnya membuat metafora yang jelas dan mudah dipahami untuk memastikan komunikasi yang efektif, menunjukkan bagaimana desain visual memainkan peran penting dalam memicu minat dan pemahaman audiens. Penelitian ini menawarkan wawasan yang berharga tentang bagaimana poster film berperan sebagai alat artistik dan pemasaran.
Keywords
Full Text:
PDFReferences
Abdurrahman, I.B., & Hadi, R.N. (2022). Multi-Modal Metaphor: A Cognitive Survey Multi-Modal Metaphor: A Cognitive Survey.
Anh Dao, N.T. (2022). Multimodal Metaphor in Advertising: Cultural Perspectives. European Journal of Literature, Language and Linguistics Studies, 6(1), 89-94.
Birdsell, B. J., Tatsuta, N., & Nakamura, H. (2022). Effects of Visual Metaphors on Enhancing the Power of Advertisements. IAFOR Journal of Psychology & the Behavioral Sciences, 8(1), 6-22. https://doi.org/10.22492/ijpbs.8.1.01
Bonilla, J.F. (2018). Multimodal Metaphors and Advertising: A Cross-Cultural Comparison of the Use of Behavioural Multimodal Metaphors. Sustainable Multilingualism, 13(1), 113 - 91. https://doi.org/10.2478/sm-2018-0013
Bünzli, F., & Dillard, J. P. (2022). The Persuasive Effects of Verbal Anchoring and Visual Complexity. Journal of Visual Literacy, 41(1), 46–64. https://doi.org/10.1080/1051144X.2022.2053817
Dalieva, M. (2024). The Role of Blending Theory in Polysemy and Metaphor. Science Problems 4(2), https://doi.org/10.47390/SPR1342V4SI2Y2024N24
Dallyono, R., & Sukyadi, D. (2019). An analysis of multimodal resources in environmental protection posters. Indonesian Journal of Applied Linguistics, 9(2): 472-479. https://doi.org/10.17509/ijal.v9i2.20245
Dipper, L. (2019). Relevance theory. In The SAGE Encyclopedia of Human Communication Sciences and Disorders (Vol. 4, pp. 1596-1596). SAGE Publications, Inc., https://doi.org/10.4135/9781483380810
Duan, R., & Bombara, C. (2021). Visualizing climate change: the role of construal level, emotional valence, and visual literacy. Climatic Change, 170, 1-22.
Džanić, N.D. & Žerić, A. (2017). What Is Advertising Without Blending? Advertisements in Women’s Magazines. Explorations in English Language and Linguistics 4(1), 1-14. http://dx.doi.org/10.1515/exell-2017-0004
Fauconnier, G., & Turner, M. (2002). The Way We Think: Conceptual Blending and the Mind''s Hidden Complexities. New York: Basic Books.
Forceville, C. (2006). Non-verbal and multimodal metaphor in a cognitivist framework: Agendas for research. In G. Kristiansen, M. Achard, R. Dirven & F. Ruiz de Mendoza Ibáñez (Ed.), Cognitive Linguistics (pp. 379-402). Berlin, New York: De Gruyter Mouton. https://doi.org/10.1515/9783110197761.5.379
Forceville, C. (2007). Multimodal Metaphor in Ten Dutch TV Commercials. Public Journal of Semiotics, 1(1), 15–34. https://doi.org/10.37693/pjos.2007.1.8812
Forceville, C. (2020). Visual and Multimodal Communication: Applying the Relevance Principle. New York, online edn, Oxford Academic. https://doi.org/10.1093/oso/9780190845230.001.0001
Fareed, H.A., & Abdulmajeed, R.K. (2017). The Cognitive Principle of Relevance And Its Application to Anti-Iraq War Posters. Kufa Journal of Arts. https://doi.org/10.36317/0826-009-030-021
García-Madariaga, J., Moya, I., Recuero, N., & Blasco, M.F. (2020). Revealing Unconscious Consumer Reactions to Advertisements That Include Visual Metaphors. A Neurophysiological Experiment. Frontiers in Psychology, 11: 1-16.
Ghani, K.A. (2021). Comparative Semantics: An Introduction to Conceptual Blending Theory. International Journal of Humanities Philosophy and Language, 4(14): 28-51. http://dx.doi.org/10.35631/IJHPL.414003
Herzal, A., & Reiss, G. (2023). Metaphors – Bridges between Conceptual Domains. Annals of the University of Craiova. Series Philology. Linguistics. https://doi.org/10.52846/aucssflingv.v45i1-2.107
Kövecses, Z. 'Metaphor, Cognition, Culture', in Michele J. Gelfand, Chi-yue Chiu, and Ying-yi Hong (eds), Handbook of Advances in Culture and Psychology, Volume 7, Advances in Culture and Psychology (New York, 2018; online edn, Oxford Academic, 22 Mar. 2018), https://doi.org/10.1093/oso/9780190879228.003.0002, accessed 8 Oct. 2024)
Lai, F. (2023). A Relevance-theoretic Approach to Multimodal Discourse Analysis: A Case Study of Emoji Advertising. International Journal of Linguistics, Literature and Translation, 6(4): 115-120.
Lakoff, G., & Johnson, M. (2003). Metaphors we live by. University of Chicago Press.
Lemghari, E.M. (2021). Metaphorical Blending in Complex Proverbs: A Case Study. Metaphor and the Social World, 11(1): 71-97. http://dx.doi.org/10.1075/msw.19004.lem
O'Neill, S.J., & Benyon, D. (2015). Extending the Semiotics of Embodied Interaction to Blended Spaces. Human Technology, 11, 30-56.
Pavlina, S.Y. (2023). Making Political Posters Expressive: Interdiscursive and Intrasemiotic Resources of Multimodal Creativity. NSU Vestnik. Series: Linguistics and Intercultural Communication. 21(3):31-44. (In Russ.)
https://doi.org/10.25205/1818-7935-2023-21-3-31-44
Soikun, T.M., & Ibrahim, A.A.A. (2021). Finding “Appeal” Factors in Local Animation Character Design: Formalistic and Visual Semiotic Analysis (FVSA). Jurnal Panggung, 3: 263-275
Sperber, D., & Wilson, D. (1995). Relevance: Communication and cognition (2nd ed.). Blackwell Publishing.
van Mulken, M., van Hooft, A., & Nederstigt, U. (2014). Finding the Tipping Point: Visual Metaphor and Conceptual Complexity in Advertising. Journal of Advertising, 43: 333 - 343. https://doi.org/10.1080/00913367.2014.920283
van Leeuwen, T. (2005). Introducing Social Semiotics. Routledge: New York.
Wilson, Deirdre. (2019). Relevance Theory (Oxford Research Encyclopedia). 10.1093/acrefore/9780199384655.013.201.
Refbacks
- There are currently no refbacks.





